Atomos SHOGUN STUDIO 2 HDR dual monitor 8channel HDp60 or 2channel 4Kp60 rackmounted recorder

Atomos SHOGUN STUDIO 2 HDR dual monitor 8channel HDp60 or 2channel 4Kp60 rackmounted recorder

The highly flexible Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7-inch HDR 2000nit high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

Specifications

Physical
Dimensions (W x H x D mm)447mm x 152mm x 280mm / 17.6″ x 6.0″ x 11.0(Without Rack Ears) 490mm x 152mm x 280mm / 19.3″ x 6.0″ x 11.0 (With Rack Ears)
Weight5.0 kg / 11 lb
Rack Height3U
Mounting PointsRemovable Rack Ears and Desktop Feet
EnvironmentalAmbient Operating TemperatureUp to 40 Degrees Celsius
Construction
BodyMetal Chassis
CoolingHeat Sink + Actively controlled Fan
Tally LightLED on the Front of the Device
Multi-Function ButtonPower / Lock Screen + Dual Record Trigger
Power
Continuous Power2 x Internal Power Supplies
DC-In Connector2 x IEC C14 Connectors
Display
Display PanelSuperAtom IPS panel (Capacitive Touch)
Size2 x 7
Resolution2 x 1920 x 1200 (1920 x 1080 Image Display)
PPI325
Bit Depth10-Bit (8+2 FRC)
Backlight TypeDynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cd/m / nits)1500 nit / 3000 nit (Peak HDR Brightness Mode)
Aspect Ratio16:10 (16:9 Image Display)
Color GamutRec.709
Calibration SupportATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
GammaSony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
GamutBt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display.Cube Format (17 & 33 points supported)
3D LUT OutputLoop out
3D LUT 50/50Via Compare Option in LUTs Menu
Monitoring ModesNative / HLG / PQ / 3D LUT
HDR Output ConversionCamera Log to HLG / PQ
Color Management
CalibrationATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display ControlsBacklight, Lift, Gamma, Gain
AtomHDRBuilt-in Technical Log to HDR EOTF
3D LUTsLoad .Cube files from SSD into 8 LUT Slots On-Device Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
LegalizeFull to Legal Range Conversion available via Input Menu
Video Input
HDMI1 x HDMI (2.0) (for each Recording Unit)
SDI2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI (for each Recording Unit)
RJ45 / NetworkService Only
Bit Depth8/10-Bit for Video / up to 12-Bit for RAW
Video Chroma SubsamplingYCbCr 4:2:0 & 4:2:2
HDRHDMI Auto Detection
Metadata
SDIFile Name Arri & RED. RAW White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
File Naming
StandardScene/Shot/Take & Rolling Scene/Shot/Take
Via SDIAuto-matched filenames from supported Arri & RED Cameras
Video Output
HDMI1 x HDMI (2.0) (for each Recording Unit)
SDI Loop / Play Out2 x 12G SDI (for each Recording Unit)
Video Chroma Subsampling4:2:2
Bit DepthVideo
HDRHDMI Auto Detect
Video Signal Conversion
HDMI to SDISupported
SDI to HDMISupported
Audio In/Out
Audio Quality24-Bit / 48kHz
Audio CodecPCM
HDMI8ch 24-Bit, Input dependent
SDI12ch 24-Bit, Input dependent
Analog Audio In2 x 3-Pin XLR(F) (for each Recording Unit)
Analog Audio Out2 x 3-Pin XLR(M) (for each Recording Unit)
Headphone Out3.5mm Jack
Timecode / Sync
HDMI EmbeddedSupported
SDI EmbeddedSupported
Time of DaySupported
LTCLTC via dedicated BNC In/Output (Record Mode only)
GenlockSupported (Playback Mode only)
Resolution and Frame Rates (Record, Monitor & Playback)
6K RAWup to 6Kp30 via SDI
4K RAWup to 4Kp60 via SDI
2K RAWup to 2Kp240 via SDI
4K DCIup to 4Kp60
4K UHDup to UHDp60
2K DCI 2048 x 1080up to 2Kp60 via SDI
FHD 1920 x 1080 Progressiveup to 1080p120 (Single Record Mode) up to 4 x 1080p60 ISO (for each Recording Unit)
FHD 1920 x 1080 PsFOnly via Pulldown to Progressive
FHD 1920 x 1080 Interlaced1080i50 / 1080i60
1280 x 720pup to 720p60
Recording Codecs
cDNGSDI RAW Inputs up to 4Kp30 only
Apple ProRes RAWProRes RAW & RAW HQ
Apple ProResHQ, 422, LT
Avid DNxHD220x, 220, 145, 36 (.MOV Wrapper)
Avid DNxHRHQX, HQ, SQ, LB (.MOV Wrapper)
Recording functions
Pre-roll Recording8s HD / 4s 4K ProRes & DNx only
ISO Recording4 x ISO up to 1080p60 (3G SDI Level A only) (for each Recording Unit)
Switched Program RecordSupported
Playback
PlaylistSelected Clips, Favorites, or Combined
LoopSupported, with user-customizable In / Out Markers
cDNGNot Supported
Apple ProRes RawRecorded clips only
Apple ProResHQ, 422, LT (Linear PCM Audio only)
Avid DNxDNxHD: 220x, 220, 145, 36 DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
Multi Input / Switching
Dual Input Displayvia Multi ISO Input Mode
Multiple SDI inputUp to 4 x 1080p60 (3G SDI Level A only) (for each Recording Unit)
Multiview Displayvia Multi ISO Input Mode
Input SwitchingSupported
Supported Media
Master Caddy INot Supported
Master Caddy IISupported
Master Caddy IIISupported
SSDminiSupported (AtomX SSDmini Handle required)
CFast 2.0Not Supported
File System